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The castle was buried in sleep when Ferdinand again joined his sisters in madame's apartment. With anxious curiosity they followed him to the chamber. The room was hung with tapestry. Ferdinand carefully sounded the wall which communicated with the southern buildings. From one part of it a sound was returned, which convinced him there was something less solid than stone. He removed the tapestry, and behind it appeared, to his inexpressible satisfaction, a small door. With a hand trembling through eagerness, he undrew the bolts, and was rushing forward, when he perceived that a lock withheld his passage. The keys of madame and his sisters were applied in vain, and he was compelled to submit to disappointment at the very moment when he congratulated himself on success, for he had with him no means of forcing the door.,

She now perceived that the key of the closet was stained with blood; she wiped it two or three times, but the blood would not come off. In vain she washed it, and even scrubbed it with sand and free-stone, the stain was still there, for the key was an enchanted one, and there were no means of cleaning it completely; when the blood was washed off one side, it came back on the other.,

His wife did all she could to make him believe that she was delighted at his speedy return.,

They now descended into a deep valley, which appeared more like a scene of airy enchantment than reality. Along the bottom flowed a clear majestic stream, whose banks were adorned with thick groves of orange and citron trees. Julia surveyed the scene in silent complacency, but her eye quickly caught an object which changed with instantaneous shock the tone of her feelings. She observed a party of horsemen winding down the side of a hill behind her. Their uncommon speed alarmed her, and she pushed her horse into a gallop. On looking back Madame de Menon clearly perceived they were in pursuit. Soon after the men suddenly appeared from behind a dark grove within a small distance of them; and, upon their nearer approach, Julia, overcome with fatigue and fear, sunk breathless from her horse. She was saved from the ground by one of the pursuers, who caught her in his arms. Madame, with the rest of the party, were quickly overtaken; and as soon as Julia revived, they were bound, and reconducted to the hill from whence they had descended. Imagination only can paint the anguish of Julia's mind, when she saw herself thus delivered up to the power of her enemy. Madame, in the surrounding troop, discovered none of the marquis's people, and they were therefore evidently in the hands of the duke. After travelling for some hours, they quitted the main road, and turned into a narrow winding dell, overshadowed by high trees, which almost excluded the light. The gloom of the place inspired terrific images. Julia trembled as she entered; and her emotion was heightened, when she perceived at some distance, through the long perspective of the trees, a large ruinous mansion. The gloom of the surrounding shades partly concealed it from her view; but, as she drew near, each forlorn and decaying feature of the fabric was gradually disclosed, and struck upon her heart a horror such as she had never before experienced. The broken battlements, enwreathed with ivy, proclaimed the fallen grandeur of the place, while the shattered vacant window-frames exhibited its desolation, and the high grass that overgrew the threshold seemed to say how long it was since mortal foot had entered. The place appeared fit only for the purposes of violence and destruction: and the unfortunate captives, when they stopped at its gates, felt the full force of its horrors.

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It was queer, but the minute you were inside that gate you felt quiet, almost solemn, and like behaving your very best. Everything was orderly and stately and peaceful. The trees were very old and very tall, with wonderfully broad, full crowns. The lawns were very spacious, with not a single twig on the grass anywhere, and the paths were always smooth, as if freshly raked.,

“Oh, so that—so that—I tell you what, Mother, it is dreadful to be blind.”,

“Sure do,” was the answer. “’Specially safe as I elect myself a c’mittee o’ one to stick here on guard.”,

Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart.